Shiny Shortness
I've got it and read it. My only complaint is that it's far too short.
SF/Fantasy books have gotten much longer over the past couple of generations. Pulp-era novels (originally written for serial publication) were often as short as 40,000 words. If you look at the best of, say, Burroughs or Howard, you find that they're extremely 'tight' writers, with nary a word wasted on anything that doesn't move the story along, and they're surprisingly sparing with adjectives.
Even in the 60's, SF originals were generally in the 60,000-75,000 word range. Nowadays, 200,000 isn't uncommon -- although except for the biggest megastars the publishers are starting to revolt, for cost reasons.
(They don't want to increase the price of books for fear of driving down sales, but given average print runs -- 5,000 units for a midlist hardcover, 20,000 for a paperback -- the longer word-lengths just don't pay because of higher production costs, mostly for paper. I wouldn't have any problem but the bulk of the titles they put out are midlist.)
I came into the field just as the transition was taking place; my first book was about 85,000 words, but since then I've tended to write long -- typically in the 150,000-200,000 word range, because I'm an intensely descriptive writer by natural inclination. It's what I enjoy most about reading myself, and like most people in the business I write the book I'd like to read. 200,000 words is about a thousand pages in manuscript; at a small but practical typeface, 500-700 pages in hardcover.
For
The Sky People and
In the Courts of the Crimson Kings I'm aiming at a compromise -- around 100,000 words -- as part of the homage to the Golden Age. It also forces you to plot more tightly; like writing poetry in one of the stricter forms, the discipline can be useful.