While I’m sure that in most circles the South American theater is greatly eclipsed by the European, Asian, and African-Mediterranean theaters; I figured that some discussion about the media revolving around it could inspire people to seek out more information about it and stir some discussion for use in future timelines. If you haven’t already seen it, I highly recommend “Southern Storm: World War Two in South America”, it’s probably the most digestible documentary series that tries to be comprehensive and even features bonus episodes about the deployment of Latin American troops to the Pacific and Europe after the Monarchist coup in Brazil. It’s available for free on the internet and has been well dubbed into English and features some very stellar production values.
The movie “Backs to the Colorado” is also a pretty recent, albeit American flick if you’re interested in Haldeman and Cortes’ efforts to stop the Brazilian advance at the Colorado river at the climax of Operation Ten to One and prevent them from breaking into Patagonia. And if your tastes are more Russian you could go for the movie “Far away from Home” which touches on the experience of the Soviet units that were sent to Argentina as a symbol of cooperation only to get swept up in the conflict.
There’s also the Americuban movie “Fuel of War” released last year, though I’m less keen on its emphasis on a commando unit trying to hamper Venezuelan fuel shipments instead of a more sweeping narrative. It can also very often feel like more of an action movie than a war movie which I’m not too keen on, but maybe that’s just my general distaste for one liners outside of outright comedies.
In terms of video games, War Chronicle 1942 and the sequel 1943 both devote some attention to the South American front. The focus is more on entente forces; rather annoyingly, but there’s a few levels for the Comintern’s struggles to keep down Brazil. I noticed that the game didn’t go into too much detail about why the Integralists were bad; at times making them feel like just another generic horde of FPS enemies to mow down as surely as most enemies in other early 2000s and 90s FPS games (43 was a bit better about this), but apparently some of the developers felt that the Integralists; particularly towards the late war, would be difficult to believe as villains if they pulled no punches. Sounds like a bullshit excuse to me when Salgado was a living cartoon villain who strangled one of the members of his general staff to death when he found out he deliberately fed false information to one of Salgado’s favorites to make himself look better and had cities reduced to rubble in petulant fits, but sure whatever.